As I work on one of my many never-ending jobs of processing images for stock I came across the Petroglyphs I had captured at Columbia Hills State Park on the Washington side of the Columbia River Gorge, reminding me that progress comes at a price.
One such site, I and millions of others have benefited greatly from, is the loss of a canyon name “Tamani Pesh-Wa” name by the local Indians meaning “Written On Rock”, and what locals called Petroglyph Canyon. Completion of the Dalles Dam in 1957 created a lake behind the dam named Celilo after the now submerged waterfalls of the same name. The rising waters filled this canyon changing the surrounding landscape to what we see today.
This section of Federally protected National Scenic Area of the Columbia River Gorge, where one can see in the not too distant foothills, large agriculture grounds of wheat and wind turbines.
Views of Mt. Hood
and basalt rock geological formations which invite one to pause and
take in the open landscapes found in this area, a vast ecological difference from the more popular visited western section of temperate rainforest and multiple falls that cascade over majestic basalt cliffs.
Before the dam this section of the Gorge cut a deep path, known as Petroglyph Canyon, where the ancient ones “wrote on rocks”. Oh how I would love to have been able to explore this canyon before the rising waters. To imagine how these people lived while contemplating the Petroglyphs they left. To ponder their reaction to seeing, what we see today, this area that was their home. This is what draws me to capture what I call the art of being. To try to become mentally a part of what I capture. To ponder what inspired the ancient ones to leave their mark on these basalt cliff walls. Was it just an artist applying a form of graffiti, or a group of etchings when observed as a group told a story, or something much more meaningful in reference to religious beliefs. I run through such thoughts in my mind as I contemplate their existence and who the artist/artists were.
I am thankful that as progress continued on the Dam, an effort to preserve some of this ancient work from Petroglyph Canyon took place by cutting some from the walls of the canyon before the rising waters flooded the area. Eventually these cuttings found a new home along a paved path where one can view them on a guided tour in Washington’s Columbia Hills State Park which I had arrived too late to join that day. I will return for those seen from the parking lot, shown here, intrigue me and I long to see and capture more.
Took a day off from the usual grind and headed to the three Capes, Kiwanda, Lookout, and Mears on the Oregon Coast. Being the middle of the week still in the off-season, along with overcast skies, I looked forward to a mostly solitary day of hiking in the Siuslaw National Forest. My body and mind needing to experience the wonders and joys of being with nature. I loaded up my photography gear in its backpack and headed out just before dawn to my destination at Cape Outlook.
I have wanted to do this hike for some time but held off due to what I had read about the trail traversing sheer drop offs, not a place for dogs or kids. Having been on a couple of other hikes in the gorge that claimed the same and they didn’t bother me I decided to take this one even though I have somewhat a fear of heights.
I arrived at the trailhead just as the morning light was penetrating the seemingly ever-present morning coastal fog. As I began my trek I saw early signs of spring, such as this delicate trillium wildflower. Amazing how such a little flower can thrive under the thick canopy of old growth forest.
The thick canopy of forest soon gave way to a spectacular view only blocked by sparse trees and shrubs, their roots clinging perilously to the face of the huge rock I climbed. I paused to capture the wonderful view stretched out below me, and since fear had not edged its way into my conscience I decided this was one hike I could do. It was the last image I dared captured on this hike.
Moving forward and up the sparse trees and shrub became sparser and the trail narrower. I pushed on even though the edge, a sheer drop off to the ocean below of several hundred feet, kept me up against the wall of the rock. The wind was picking up as I kept my head down looking at my path and concentrating on my breathing as I vowed to get past this section of the hike. I reached my limit when my tripod got hung up on a root embedded in the rock wall. This knocked me a little off-balance as I grabbed another root and flatten myself against the wall where I remained frozen while my mind went wild with all kinds of devastating events. Earthquake would knock me off the cliff, some mean person will come along and push me over, or I will simply slip and fall. I had to force myself to breath and eventually let go of my death grip on the root embedded in the rock, trying not to think why there was just a root. Finally fear forced me to move and I got turned around and headed back the way I had come. The wind gusting at my back.
Back under the canopy of forest I relaxed somewhat and told myself I had made the right choice for if I had seen something to photograph I probably couldn’t for fear had a great hold on me. I got back into my car at the trailhead and headed for the safety of the low-lying beach that offered a variety of things to photograph.
After a few hours walking the beach I headed to Cape Meares where I captured this view, from a much more manageable height, of the town of Oceanside and it’s coastline.
I then retraced my route to Oregon Islands Wildlife Refuge. This is just north of Oceanside and is a very interesting place to visit. To get to the beach below one follows a trail built, by the looks of it, by several different people over the years. Daffodils, pop their cheery blooms here and there. Thick lumber embedded into the hillside provided steps. Scrap lumber line the trail as a fencing and as benches to rest. One section of the path was completely covered with scrap lumber and underneath it things collected from the beach below, rocks, feathers, buoys,rope along with names carved in the lumber, a place much like shrine filled the area within. Quite interesting.
I continued my descent and finally reached a rocky beach filled with driftwood.
I found these all quite interesting. The swirl of the wood grain and the rocks embedded in them afford me time to contemplate nature’s design.
The misty rain, high tide and fog made photographing this beach a pleasure as I love photographing the rain, fog, rocks and water for it adds a punch to an image.
I continued retracing my route with a detour to Sand Lake. As the day waned the wind picked up in strength and I wanted to see if I could capture drifting sand at the dunes at Sand Lake. I wasn’t disappointed.
I left Sand Lake with my Yukon half filled with the wind-blown grit.
My original plan was to end my day at Pacific City sitting on the beach watching the sun set before heading home.
Fog and low clouds encroached enough on this idea that I knew there would be nothing to watch so I settled with a Bach CD and a leisurely drive home using the back roads to end another wonderful solitary day appreciating life and the surroundings I find myself in.
I had nightmares all night about falling off that cliff!!!!!!!!!!!!!!!
On a recent balmy, damp Saturday morning Sonia and I boarded the train to Seattle at Union Station in Portland. The predicted downpour for the day had thankfully arrived early the night before leaving only puddles of water and low hanging clouds. A little disappointed that our train was not the new European style one, recently purchased by Amtrak, but pleased to find it clean and comfortable for I had heard since my last train ride that Amtrak had fallen behind in the upkeep of their trains’ interiors.
Settled in our seats we looked out the picture window, the sky growing lighter with the lifting of the low ceiling clouds allowing a nice view of the scenery passing by. As the train moved northward we noticed periodically leaves, from seemingly nowhere. were flying past our window leaving us to pondering their source. As we passed by the south end of the Puget Sound, we watched the choppy waves rolling across its vast expanse. It was then we realized how hard the wind was blowing and its strength is what carried the fall leaves from their unseen source.
As we drew nearer to Seattle, we began discussing one of our favorite artists, glass sculptor, Dale Chihuly, whose ‘Garden and Glass House’ exhibit we had come to see. Upon our arrival at King Street Train Station, again the wind made us aware of it’s strength as we ventured outside. Whirlwinds of fall leaves flew in our faces as they pushed past us and into open doors of shops as we walked, or rather pushed past. The next day, we learned due to the high winds, the floating bridge crossing Lake Washington closed, leaving cars abandoned as people walked off the bridge to safety.
We had on a previous occasion, a couple of years ago, visited Dale Chihuly’s Museum of Glass in his native home town of Tacoma, Washington. Enchanted with the Bridge of Glass, a 500 foot long pedestrian overpass that links the Museum in Tacoma to the downtown section of the city, a delightful walk with walls and ceilings showcasing his work.
Our first sight within the Garden and Glass House exhibit, in Seattle’s Center, brought a sense of calm as we paused to admire the Chihuly’s ‘Glass Forest’. I love light and its effect on a subject whether it be natural or created by man. Chihuly truly understands its importance as it illuminates and reflects off his sculptured pieces. A real treat to one’s eye and mind. Allowed to photograph his work, I captured a few of my favorites. These are very large displays set on a stage, its floor covered with reflecting mirrors producing an impact.
We moved on to the ‘Northwest Room’, a gallery of his glass sculptured Indian Baskets. Magnificently done, with Indian designs painted on the blown glass. His success revealed in his sculpturing the glass to the likeness of ancient Indian baskets with their slump and saggy forms.
Another gallery ‘Macchia Forest’, intrigued me as the shape of the glass sculptures captured and reflected the light directed upon it. Below I captured a section that really caught my eye. Subtle yet bold!
Further into the exhibit we came to ‘Ikebana and Float Boat’. The ‘Float Boat’ literally took my breath away. Full of glass blown floats the boat drifted upon an illusion of water created with mirrors. Other floats appeared to have fallen from the craft and been set adrift. I shot two different angles. This is a life-size boat.
The other side of this display is another watercraft filled with Dale Chihuly’s interpretation of Ikebana, a traditional Japanese art of flower arrangement.
As we moved slowly through the rooms, contemplating this man’s magical work, one enjoys the many themes displayed here besides those shown above. The ‘Sea life Room’, filled with sea plants, starfish, anemones, octopuses, fish, all intertwined, appearing as if moved by the sea’s current.
To our delight, we came to another ceiling gallery, ‘Persian Ceiling’, for we so enjoyed the one displayed at the Tacoma Pedestrian Bridge. ‘Mille Fiori’ another gallery, at the Glass House and Garden, is fifty-six feet in length and twelve feet wide, a garden of sculptured glass. Very colorful as most gardens are.
When we finally reached the ‘Glass House’. which sits at the base of the Space Needle, we marveled at the size of this sculpture. This piece has two thousand individual Persian glass forms fused together.
Below a closer view of the Persian glass sculpture in the Glass House.
We exited the glass house to stroll in the garden. At the base of the Space Needle ‘The Sun’, a sixteen foot in diameter sculpture in bright yellow, sits center stage above a platform of sculptured plants.
My favorite piece in the garden, as shown below, I see dolphins riding the surf. The garden, a fun enchanting place, is filled with Chihuly’s glass sculptures.
After our stroll in the garden we went to the Collectables Café . A cute little café with tables inlaid with shadow boxes, displaying items from Dale Chihuly’s personal collections. To our surprise the foods presentation at other tables evoked our reason for eating here,. We were not disappointed, it delighted our palates. I highly recommend it.
Though invigorating, we had fought the wind and mini-tornadoes of autumn leaves coming to this exhibit by way of city busses. With our time running short to catch the train back to Portland, we decided to take a cab. At the station as we departed our cab, the wind ushered us into King Street Station, along with dry crackling leaves,
With a little time on our hands we took in the architectural beauty of the building. Sonia commented that it looked freshly painted. I took pictures of some of the architectural design and when I got home I looked up the building’s history. Built between 1904 and 1906, over the years it endured many remodels, one that resulted in a lowered ceiling, leaving much of the original ornate interior hidden, till now. The restoration completed just this year reveals a very stately structure of classic architectural design.
Darkness descended as we traveled south. Without the views to distract us we made acquaintance with some of our fellow passengers. One small group told us about eating at Ivan’s that afternoon, a well-known restaurant on one of the many piers along Seattle’s waterfront. This restaurant is a newer version of it’s former self, destroyed by fire. As they ate, the strong winds drove waves crashing over the piers. The rolling white-capped seawater, in clear view of Ivan’s vast picture windows, left one in their party feeling a little queasy as he tried to finish his meal.
We arrived on time back in Portland, though we didn’t get the opportunity to ride the new train, the comfort and cleanliness of the ones we rode in left us in good form. An enjoyable day, windy but no rain!
I hope all enjoyed my assistant, Sir Clarence James, while I was busy with many other matters including my work as a photographer. A little whimsical, he is always a source for entertainment. If you are disappointed that you are not reading another of his adventures, rest assured he will be back.
With only a couple of weeks of summer left one wonders where it all went. This year has been very un-summer like in regards to weather, as we here in Oregon have experienced below normal temperatures and an unusual amount of rain the first half of the year. My garden, or an attempt at one, produced a few green beans and just a week ago the cucumber plants, less than six inches high, produced blooms and now are developing tiny cucumbers. It seems so peculiar to watch them grow on such small plants. If the weather holds in the nineties this week and next, as predicted, we will be harvesting tomatoes, and possibly cucumbers if those tiny plants can withstand the burden. All other plants that I planted either did not come-up or died from lack of sunshine.
With the hopes of an Indian summer, I look forward to capturing the autumn colors, that is if the smoke clears from not too far away forest fires east of Mt. Hood. Today the wind is coming from the east, filling our air with smoke. With the return of the warm weather, I find myself confined mostly indoors due to the smoked-filled air which irritates my lungs. I can’t complain as there are so many who have it so much worse as they deal with natural disasters throughout the world this most unusual year.
The haze of smoke in the air affords one the ability to capture some interesting sunsets and sunrises. Last Sunday the winds from the south cleared the air allowing me to venture out without a mask. Wanting to take advantage of the forest fire’s haze, my husband and I drove to Vista House on Crown Point in the Columbia River Gorge. Here the Columbia River curves a watery path separating Oregon and Washington states, affording one a ninety degree panoramic view of the south end of the Columbia River Gorge, to watch and of course capture the sunset.
We came early as I wanted to capture the east end of that vista as the sun began it’s most westerly descent casting shadows from trees and craggy cliff edges.
Soon others with the same idea began arriving on this pleasant warm evening to witness and celebrate an end to a wonderful day.
A young man settled himself on the rock wall surrounding the Vista House and began playing a guitar. His music fitting as it glided smoothly on the ever-present air currents found in the Columbia River Gorge. Some brought picnic suppers which they spread out on the concrete steps. Cameras from cell phones to the big guns, made their presence known as their owners captured the smoldering orange-red ball as it descended in the west.
After I had taken the eastern images of the Gorge while the sun was beginning it’s descent, I then readied my camera with my Nikkor 17-35mm 1:2.8D wide angle lens and added a graduated ND filter. With my trigger release cable attached and camera mounted on a tripod, I set-up facing west and framed my shot to include a lamp-post as a silhouette. I then metered my shot. I took different stages of the sun’s descent while enjoying exclamations of those around me and the lilting music of the lone guitar. Young couples kissed the sun silhouetting their features. Older couples such as my husband and I drew each other closer while facing westward, relaxing in the warm rays of the setting sun.
I thought of those close to me who are dealing with life and struggling with what it throws at them. I wanted them to witness this beauty of nature with me. I wanted them to receive from this event what I was receiving. To have hope and faith for when bad things happen, in this case a forest fire, to know there is light at the end of the tunnel such as this wonderful sunset . My heart and prayers goes out to them as they negotiate their way through the turmoil while I can only be there for them in the form of support as I have no control over what they must endure. My photography I hope brings them moments of mental relief from their daunting tasks when they view my captured images of the beauty that surrounds us or read the whimsical writing of Sir Clarence James!
So, go out and enjoy the sunset for it not only represents the end but also the beginning! Life can be good if you want it to be.